Songwriter's Corner: Heroic Speech

In Songwriters on Songwriting by Paul Zollo, the author dives into conversations with super-songwriters about their craft, and his interview with Bob Dylan offers this gem: "Then it just becomes a question of how heroic your speech is. To me it's something to strive after."

To help wrap your head and craft around this, here's some quotes on heroism:

“I like it when a flower or a little tuft of grass grows through a crack in the concrete. It's so fuckin' heroic.”
― George Carlin

“Heroes didn't leap tall buildings or stop bullets with an outstretched hand; they didn't wear boots and capes. They bled, and they bruised, and their superpowers were as simple as listening, or loving. Heroes were ordinary people who knew that even if their own lives were impossibly knotted, they could untangle someone else's. And maybe that one act could lead someone to rescue you right back.”
― Jodi Picoult, Second Glance

“Anyone who does anything to help a child in his life is a hero to me.”
― Fred Rogers

“One part brave, three parts fool!”
― Christopher Paolini

“To be heroic is to be courageous enough to die for something; to be inspirational is to be crazy enough to live a little.”
― Criss Jami, Venus in Arms

“Heroism doesn't pay very well. I try to be cold-blooded and money-oriented, but I keep screwing it up.”
― Jim Butcher, Dead Beat

“So you love war. I used to think you were a decent man. But I see now I was mistaken. You're a hero.”
― Joe Abercrombie, The Heroes

“Long ago I yearned to be a hero without knowing, in truth, what a hero was. Now, perhaps, I understand it a little better. A grower of turnips or a shaper of clay, a Common farmer or a king--every man is a hero if he strives more for others than for himself alone. Once you told me that the seeking counts more than the finding. So, too, must the striving count more than the gain.”
― Lloyd Alexander, The High King

“Heroes are people who face down their fears. It is that simple. A child afraid of the dark who one day blows out the candle; a women terrified of the pain of childbirth who says, 'It is time to become a mother'. Heroism does not always live on the battlefield.”
― David Gemmell, Dark Moon

“Perhaps a hero is someone who doesn’t register his own vulnerability. Is it courage, then, if you’re too daft to know you’re mortal?”
― David Benioff, City of Thieves

“He found that it was easy to make a heroic gesture, but hard to abide by its results.”
― W. Somerset Maugham, Of Human Bondage

DAILY HABITS CHANGE YOUR LIFE

While on lockdown, I looked up well over half a dozen music education sources, from free classes online to books, workshops and lessons. This included a wide range of resources. What I noticed among all these varied sources was the emphasis on daily habits. Change what you do each day, and change your life. 

For music makers, this means to write every day, perform every day, practice every day and learn every day.

Resource: a book on this topic is "Atomic Habits". The main take-away is adding new habits to habits you already have. It was interesting to see that multiple sources had this same principle to share; certainly there's something to it.

Results of the Curveball: 2020 Impact on Live Music

Many venues were dark March 2020

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While 2020 saw a historic decline in live show revenue--such as that Live Nation revenue declined 83% year-over-year--there was a 9% increase in recorded music revenue nationally. This is the fifth straight year with rising revenue, led by music subscription services like Amazon Music Unlimited , Apple Music and Spotify. Since there's nowhere to go but up, Live Nation's second quarter of this year had an increase of over 670%. Not bad.

While no industry is risk-free, the music industry especially is known to be constantly changing, and having tight profit margins and many cases of cut-throat business practices, along with ten-year overnight successes and millions of musicians over the decades who have tried to find the magic formula for success, which until proven otherwise is a lifetime of hard work plus a dash of luck. Last year, the brave souls who made the music industry home were thrown the curve ball of the century. Perhaps even the curveball of the past 500 years. For the first time in history, people could not gather. This wasn't optional. It was the law. Venues closed. Stages were dark. Musicians that were entrepreneurial looked to livestreaming to satiate fans and the inner creative beast. But the blow to the live music scene was historical and astronomical.

However, musicians and the music industry folks are not known for uncreative ideas or lack of gumption, and I predict music fans will be eager to get back into music for both its emotional release as well as its social aspects i.e. "where you at?" People will be just kind of eager to see live music again.

Lollapalooza festival Chicago 2021

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WHAT OLD BOOKS AND LIBERAL ARTS CAN TEACH US ABOUT HOW TO LEARN MUSIC

Music is about dance? See #6 and weigh in.

When it's recommended that you read old books, like Aristotle, Plato, and the ilk, in addition to books that are more current the reasoning is simple: these books don't just teach you things, they teach you how to think. Teaching students how to think is also one of the tenets of liberal arts education, and ironically, that got me thinking. In the subjects of Philosophy, Literature and Science, there are "great books" which stand as either classics or do the ultimate job of teaching the reader how to think. Meanwhile, in the subject of music, there is no such thing.

Music is tied more closely to culture and expression, and is constantly moving. While major composers like Bach, Beethoven and Mozart are of course widely known and respected, ultimately the older music is the more "dusty" it is, the less hip, the less current, etc. There are exceptions as listeners enjoy music that stands the test of time and there are many classic songs and styles that outlive their makers. However, it remains that there are no 'go to' texts about music that teach one how to think about music. 

So, I will take a stab at it and continue to update this article as it develops:

1) Your ear, your ears, yes there's two of them!

Sheet music is a language and understanding music theory, composition and such is a skill, but never lose sight, or um, never lose hearing...music is in your ears.

2) Know the instrument. 

The instrument is an instrument in the truest sense of the word. Measure it. Weigh it. Smell it. Look at every angle. Understand every nuance and mechanic of it.

3) Know the melody

There's lots of chord charts out there, but do you know the melody? How well? Intimately?

4) It's about the audience, not you

It's liberating to be freed from the self, so check the ego at the door.

5) It's about you, and the audience of the universe

An addendum to #4, you need some ego to get the fire started, but the expression is higher.

6) Dance

Not always, but very often, music is ultimately about dance. This can be dancing with the body, or even dancing of the mind and heart.

This is just a start. What ways of thinking about music are important to you?

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YouTube: Three Subtle Downsides to this Super Site

What's your favorite part about YouTube? More importantly, what are the downsides to this resource?

1) Learning

Enough said. While there is a lot of fluff to sift through, overall, learning about nearly any music topic or technique is a search word away. This is very very different than decades past where you needed to be at the right place, at the right time, in person, to learn many of the things YouTube shares readily. Plus, you can get many perspectives on the same topic.

The downside: information overload. Plus, it is sometimes it's just easier to learn with a human. YouTube video watching is addictive, and while learning here saves time, the extra time you saved could be eaten up. What giveth, also taketh.

2) Locality

When radio was king, each region had its own sound. This was because the musicians in one area would play with one another, creating a style. Now, there is less emphasis on geography and music is drawing from influences far and wide. This could make for an ecclectic stew. 

The downside: as music rises to the top when it appeals to the masses--who on the Internet are a bunch of bored people--the result could be that the artform of music just becomes a bunch of clickbait horse#hit. Let's see how it plays out in the coming decades.

3) It's the radio now...and the library...and your cool friend's record collection

YouTube includes many songs from the past and present which are searchable. You can create playlists, and find nearly any song you seek...all without visiting the record store. All without paying the artist nor the record label. Of course, you still pay, that is what those annoying ads are. Yet, despite these ads, being able to find nearly any music imaginable is worth its weight in gold. 

The downside: as an artist you are not just competing with the music happening now, you are competing with all the music that ever was.

Feel free to share your favorite part about YouTube in the comments. 

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